Paper and Bone

 

 

These works from the "Paper and Bone" grouping reference some of the first materials that humans used to create art objects: bone and shell.

People from every era and every region of the world have adorned themselves with jewelry. Jewelry creates meaning: it often communicates social position, indicates marital status, or commemorates a person or event. It can also serve functions like protecting, healing, or beautifying.

 

Teri Blond, Finger Cover, 1995, insect wings, sterling silver, gift of Robert W. Ebendorf, 1997.017

 

Early jewelry was made of bone, wood, stone, and animal skins—things on hand. Many contemporary jewelers reference the continuum of bodily adornment from ancient times through today by recontextualizing these natural materials or by referencing historical shapes, forms, and patterns.

Teri Blond used a beetle shell as a fingernail in the unusual "ring" in this first image.

Heather White, Chrysanthemum, 2004, polyurethane, fine silver, copper, gift of the artist, 2005.047

Heather White's humorous, sensual brooch, a concentric corsage of human teeth, reconfigures disembodied frangments of human anatomy into a form that may then be placed back on the body.

In his works like this necklace made of antlers, nylon, and horsehair, Steven Gordon Holman joins creation myths of the indigenous Native American and Norse cultures of his regional roots, legends passed down from the area's first white settlers, personal family lore, and markers of contemporary pop culture to fabricate powerful, talismanic jewelry.

 

Elsa Bates Freund, Necklace, 1949, seashell, raffia, gift of the artist, 1996.012.001

 

Elsa Bates Freund who, along with her husband, was a founding force behibd the arts community in Eureka Springs, Arkansas, has here created a simple necklace of seashellls and raffia that seems to echo all the way back to the most ancient forms of jewelry.

 

Steven Gordon Holman, To Braid and Unbraid, 2013, nylon, antlers, horsehair, gift of the artist, 2014.049

 

Whether crumpled or folded, layered or singular, paper has great potential as a medium for jewelry. It can take on a multitude of texture and colors, and is light enough to create large volumes that are still easy to wear.

Like bone and shell, paper is a material that has a long history in human culture, and can be evocative and meaningful in so many ways.

 

Nel Linssen, Bracelet, ca. 1988, paper, rubber, gift of Robert W. Ebendorf, 1997.010.002

Dutch artists Willem Honing and Nel Linssen (1935-2016) both used paper to create the works featured here.

Willem Honing’s work seeks to express the physical actions used to create a piece; like sawing, cutting and stuffing. Continuity and repetition are always present as visual elements. His well-known wrapping paper necklaces consist of cylinders of two layers of wrapping paper with a layer of tar between them that are stuffed through tubes.

Nel Linssen described her intricately folded and layered paper jewelry as a continual attempt to discover logical constructions inspired by rhythms and structures in the botanical world. Her affinity for paper is related to how its tactile qualities can enhance the wearers experience.

 

 

Willem Honing, Necklace, 1984, waxed paper, hemp, gift of Robert W. Ebendorf, 1996.013.029

 

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